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Margaret Shertzer is nowhere identified in her book, and after reading it I've concluded it's because the name is a pseudonym. Many of the examples show two or more ways of writing an expression, often highlighting how to eliminate unnecessary words or change the structure of a sentence to make your writing more crisp and clear.
Following this, the sections can be summarized as follows: Here are just a few of my objections: When I read a British newspaper and see the helpless little comma floating on the page outside the quotations marks, I do want to toss it a lifeline and pull it into harbor.
This strategy of emphasis, I learned from Sir Arthur Quiller-Couch, can be traced back at least two millennia to that other famous Q, Quintillian, the Roman teacher of rhetoric. Chapter III offers a brief corrective to matters of form, such as the use of colloquialisms and exclamations, alongside matters of layout, such as headings and margins.
White was by disposition uncomfortable with technical grammar and the conventional approaches to usage. I always get confused with the language of grammar.
Professor Strunk had self-published a page handbook that was enormously popular on campus affectionately known as "The Little Book. The examples used to illustrate "bad" style in the book are generally ludicrously bad. Still, "correct" usage is the badge most language cops wear as they police their turf.
Through such a barrage a skeptic wanders at some risk, but I'd like to try.
Such writing takes discipline, however, and practice. Whereas Chapter 1 clarifies the technicalities pertaining to the rules of grammar, Chapter II offers a broader perspective on English composition. The Bard prefers placing an important word [Queen] at the beginning and the most important word — the news, if you will — at the end, right next to what Yanks call the period, but the Brits call the full stop.
The guidelines are straight-forward and direct. White says it is but what gets the job done. If you need reminders how, I know a little book you can own. He was greatly rewarded for the accomplishment. It comes from an academic perspective, and then a professional one.
First there's a writer's style, which can be as wild, as calm, or as idiosyncratic as any person. For consistency and clarity — to avoid confusion or distraction — we decide to do things the same way.
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This new and updated () Classic Edition contains the original version of The Elements of Style written by William Strunk Jr. Generations of writers and college students have learned the basics of grammar from this short book.
It was rated "one of the most influential books written in English. Nov 08, · The Elements of Style is a prescriptive American English writing style guide in numerous editions.
The original was composed by William Strunk Jr., inand published by Harcourt, in One of the most celebrated texts for writers is William Strunk, Jr.'s The Elements of Style. If you've ever taken a writing class or done any extra studying about writing, you've likely seen this short book quoted or listed as recommended reading.
Sep 04, · A Professor of English at Cornell University and is best known as the author of the first editions of The Elements of Style.
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The Elements of Style is the definitive text and classic manual on the principles of English language read by millions of readers. The 18 main topics are organized under the headings.A personal review of the elements of style a book by william strunk jr